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The Lifted Veil
English BooksWhale Edition by George Eliot
A psychological Gothic tale of clairvoyance, dread, marriage, and moral isolation.
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The Lifted Veil
The Lifted Veil is George Eliot’s unsettling Gothic novella about Latimer, a hypersensitive narrator burdened by visions of the future and glimpses into other minds. The story turns clairvoyance, illness, failed love, scientific curiosity, and emotional estrangement into a compact study of psychological terror and moral loneliness.
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George Eliot died in 1880, and The Lifted Veil was published in 1859; these dates support public-domain status.
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The Lifted Veil
George Eliot
The time of my end approaches. I have lately been subject to attacks of _angina pectoris_; and in the ordinary course of things, my physician tells me, I may fairly hope that my life will not be protracted many months. Unless, then, I am cursed with an exceptional physical constitution, as I am cursed with an exceptional mental character, I shall not much longer groan under the wearisome burthen of this earthly existence. If it were to be otherwise--if I were to live on to the age most men desire and provide for--I should for once have known whether the miseries of delusive expectation can outweigh the miseries of true prevision. For I foresee when I shall die, and everything that will happen in my last moments.
Just a month from this day, on September 20, 1850, I shall be sitting in this chair, in this study, at ten o'clock at night, longing to die, weary of incessant insight and foresight, without delusions and without hope. Just as I am watching a tongue of blue flame rising in the fire, and my lamp is burning low, the horrible contraction will begin at my chest. I shall only have time to reach the bell, and pull it violently, before the sense of suffocation will come. No one will answer my bell. I know why. My two servants are lovers, and will have quarrelled. My housekeeper will have rushed out of the house in a fury, two hours before, hoping that Perry will believe she has gone to drown herself. Perry is alarmed at last, and is gone out after her. The little scullery-maid is asleep on a bench: she never answers the bell; it does not wake her. The sense of suffocation increases: my lamp goes out with a horrible stench: I make a great effort, and snatch at the bell again. I long for life, and there is no help. I thirsted for the unknown: the thirst is gone. O God, let me stay with the known, and be weary of it: I am content. Agony of pain and suffocation--and all the while the earth, the fields, the pebbly brook at the bottom of the rookery, the fresh scent after the rain, the light of the morning through my chamber-window, the warmth of the hearth after the frosty air--will darkness close over them for ever?
Darkness--darkness--no pain--nothing but darkness: but I am passing on and on through the darkness: my thought stays in the darkness, but always with a sense of moving onward . . .
Before that time comes, I wish to use my last hours of ease and strength in telling the strange story of my experience. I have never fully unbosomed myself to any human being; I have never been encouraged to trust much in the sympathy of my fellow-men. But we have all a chance of meeting with some pity, some tenderness, some charity, when we are dead: it is the living only who cannot be forgiven--the living only from whom men's indulgence and reverence are held off, like the rain by the hard east wind. While the heart beats, bruise it--it is your only opportunity; while the eye can still turn towards you with moist, timid entreaty, freeze it with an icy unanswering gaze; while the ear, that delicate messenger to the inmost sanctuary of the soul, can still take in the tones of kindness, put it off with hard civility, or sneering compliment, or envious affectation of indifference; while the creative brain can still throb with the sense of injustice, with the yearning for brotherly recognition--make haste--oppress it with your ill-considered judgements, your trivial comparisons, your careless misrepresentations. The heart will by and by be still--"ubi saeva indignatio ulterius cor lacerare nequit"; the eye will cease to entreat; the ear will be deaf; the brain will have ceased from all wants as well as from all work. Then your charitable speeches may find vent; then you may remember and pity the toil and the struggle and the failure; then you may give due honour to the work achieved; then you may find extenuation for errors, and may consent to bury them.
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Before the autumn was at an end, and while the brown leaves still stood thick on the beeches in our park, my brother and Bertha were engaged to each other, and it was understood that their marriage was to take place early in the next spring. In spite of the certainty I had felt from that moment on the bridge at Prague, that Bertha would one day be my wife, my constitutional timidity and distrust had continued to benumb me, and the words in which I had sometimes premeditated a confession of my love, had died away unuttered. The same conflict had gone on within me as before--the longing for an assurance of love from Bertha's lips, the dread lest a word of contempt and denial should fall upon me like a corrosive acid. What was the conviction of a distant necessity to me? I trembled under a present glance, I hungered after a present joy, I was clogged and chilled by a present fear. And so the days passed on: I witnessed Bertha's engagement and heard her marriage discussed as if I were under a conscious nightmare--knowing it was a dream that would vanish, but feeling stifled under the grasp of hard-clutching fingers.
When I was not in Bertha's presence--and I was with her very often, for she continued to treat me with a playful patronage that wakened no jealousy in my brother--I spent my time chiefly in wandering, in strolling, or taking long rides while the daylight lasted, and then shutting myself up with my unread books; for books had lost the power of chaining my attention. My self-consciousness was heightened to that pitch of intensity in which our own emotions take the form of a drama which urges itself imperatively on our contemplation, and we begin to weep, less under the sense of our suffering than at the thought of it. I felt a sort of pitying anguish over the pathos of my own lot: the lot of a being finely organized for pain, but with hardly any fibres that responded to pleasure--to whom the idea of future evil robbed the present of its joy, and for whom the idea of future good did not still the uneasiness of a present yearning or a present dread. I went dumbly through that stage of the poet's suffering, in which he feels the delicious pang of utterance, and makes an image of his sorrows.
I was left entirely without remonstrance concerning this dreamy wayward life: I knew my father's thought about me: "That lad will never be good for anything in life: he may waste his years in an insignificant way on the income that falls to him: I shall not trouble myself about a career for him."
One mild morning in the beginning of November, it happened that I was standing outside the portico patting lazy old Caesar, a Newfoundland almost blind with age, the only dog that ever took any notice of me--for the very dogs shunned me, and fawned on the happier people about me--when the groom brought up my brother's horse which was to carry him to the hunt, and my brother himself appeared at the door, florid, broad-chested, and self-complacent, feeling what a good-natured fellow he was not to behave insolently to us all on the strength of his great advantages.
"Latimer, old boy," he said to me in a tone of compassionate cordiality, "what a pity it is you don't have a run with the hounds now and then! The finest thing in the world for low spirits!"
"Low spirits!" I thought bitterly, as he rode away; "that is the sort of phrase with which coarse, narrow natures like yours think to describe experience of which you can know no more than your horse knows. It is to such as you that the good of this world falls: ready dulness, healthy selfishness, good-tempered conceit--these are the keys to happiness."
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- 02CHAPTER II
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