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Essays of Elia

English BooksWhale Edition by Charles Lamb

Personal essays rich in memory, humor, London life, reading, friendship, and gentle melancholy.

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Essays of Elia

Essays of Elia gathers Charles Lamb’s finest familiar essays, moving through childhood memories, city scenes, books, theatre, friendships, bachelor habits, and the comedy of everyday feeling. The collection helped define the English personal essay as intimate, witty, and deeply humane.

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This edition is based on a public domain text and has been prepared for digital reading by BooksWhale.

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Why this edition can be shared

Charles Lamb died in 1834, and Essays of Elia was first collected in 1823. These dates support the public-domain basis for the English source text used in this edition.

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Essays of Elia

Preview chapterTHE SOUTH-SEA HOUSEPreview

Reader, in thy passage from the Bank--where thou hast been receiving

thy half-yearly dividends (supposing thou art a lean annuitant

like myself)--to the Flower Pot, to secure a place for Dalston, or

Shacklewell, or some other thy suburban retreat northerly,--didst thou

never observe a melancholy looking, handsome, brick and stone edifice,

to the left--where Threadneedle-street abuts upon Bishopsgate? I dare

say thou hast often admired its magnificent portals ever gaping wide,

and disclosing to view a grave court, with cloisters and pillars, with

few or no traces of goers-in or comers-out--a desolation something

like Balclutha's.

This was once a house of trade,--a centre of busy interests. The

throng of merchants was here--the quick pulse of gain--and here some

forms of business are still kept up, though the soul be long since

fled. Here are still to be seen stately porticos; imposing staircases;

offices roomy as the state apartments in palaces--deserted, or thinly

peopled with a few straggling clerks; the still more sacred interiors

of court and committee rooms, with venerable faces of beadles,

door-keepers--directors seated in form on solemn days (to proclaim a

dead dividend,) at long worm-eaten tables, that have been mahogany,

with tarnished gilt-leather coverings, supporting massy silver

inkstands long since dry;--the oaken wainscots hung with pictures

of deceased governors and sub-governors, of queen Anne, and the

two first monarchs of the Brunswick dynasty;--huge charts, which

subsequent discoveries have antiquated;--dusty maps of Mexico, dim as

dreams,--and soundings of the Bay of Panama!--The long passages hung

with buckets, appended, in idle row, to walls, whose substance might

defy any, short of the last, conflagration;--with vast ranges of

cellarage under all, where dollars and pieces of eight once lay,

an "unsunned heap," for Mammon to have solaced his solitary heart

withal,--long since dissipated, or scattered into air at the blast of

the breaking of that famous BUBBLE.--

Such is the SOUTH-SEA HOUSE. At least, such it was forty years ago,

when I knew it,--a magnificent relic! What alterations may have been

made in it since, I have had no opportunities of verifying. Time, I

take for granted, has not freshened it. No wind has resuscitated the

face of the sleeping waters. A thicker crust by this time stagnates

upon it. The moths, that were then battening upon its obsolete ledgers

and day-books, have rested from their depredations, but other light

generations have succeeded, making fine fretwork among their single

and double entries. Layers of dust have accumulated (a superfoetation

of dirt!) upon the old layers, that seldom used to be disturbed, save

by some curious finger, now and then, inquisitive to explore the

mode of book-keeping in Queen Anne's reign; or, with less hallowed

curiosity, seeking to unveil some of the mysteries of that tremendous

HOAX, whose extent the petty peculators of our day look back upon with

the same expression of incredulous admiration, and hopeless ambition

of rivalry, as would become the puny face of modern conspiracy

contemplating the Titan size of Vaux's superhuman plot.

Peace to the manes of the BUBBLE! Silence and destitution are upon thy

walls, proud house, for a memorial!

Situated as thou art, in the very heart of stirring and living

commerce,--amid the fret and fever of speculation--with the Bank,

and the 'Change, and the India-house about thee, in the hey-day of

present prosperity, with their important faces, as it were, insulting

thee, their _poor neighbour out of business_--to the idle and merely

contemplative,--to such as me, old house! there is a charm in thy

quiet:--a cessation--a coolness from business--an indolence almost

cloistral--which is delightful! With what reverence have I paced thy

great bare rooms and courts at eventide! They spoke of the past:--the

shade of some dead accountant, with visionary pen in ear, would flit

by me, stiff as in life. Living accounts and accountants puzzle

Preview chapterOXFORD IN THE VACATIONPreview

Casting a preparatory glance at the bottom of this article--as the

wary connoisseur in prints, with cursory eye (which, while it reads,

seems as though it read not,) never fails to consult the _quis

sculpsit_ in the corner, before he pronounces some rare piece to be a

Vivares, or a Woollet--methinks I hear you exclaim, Reader, _Who is

Elia?_

Because in my last I tried to divert thee with some half-forgotten

humours of some old clerks defunct, in an old house of business, long

since gone to decay, doubtless you have already set me down in your

mind as one of the self-same college--a votary of the desk--a notched

and cropt scrivener--one that sucks his sustenance, as certain sick

people are said to do, through a quill.

Well, I do agnize something of the sort. I confess that it is my

humour, my fancy--in the forepart of the day, when the mind of your

man of letters requires some relaxation--(and none better than such

as at first sight seems most abhorrent from his beloved studies)--to

while away some good hours of my time in the contemplation of indigos,

cottons, raw silks, piece-goods, flowered or otherwise. In the first

place ******* and then it sends you home with such increased appetite

to your books ***** not to say, that your outside sheets, and waste

wrappers of foolscap, do receive into them, most kindly and naturally,

the impression of sonnets, epigrams, _essays_--so that the very

parings of a counting-house are, in some sort, the settings up of an

author. The enfranchised quill, that has plodded all the morning among

the cart-rucks of figures and cyphers, frisks and curvets so at its

ease over the flowery carpet-ground of a midnight dissertation.--It

feels its promotion. ***** So that you see, upon the whole, the

literary dignity of _Elia_ is very little, if at all, compromised in

the condescension.

Not that, in my anxious detail of the many commodities incidental

to the life of a public office, I would be thought blind to certain

flaws, which a cunning carper might be able to pick in this Joseph's

vest. And here I must have leave, in the fulness of my soul, to regret

the abolition, and doing-away-with altogether, of those consolatory

interstices, and sprinklings of freedom, through the four

seasons,--the _red-letter days_, now become, to all intents and

purposes, _dead-letter days_. There was Paul, and Stephen, and

Barnabas--

Andrew and John, men famous in old times

--we were used to keep all their days holy, as long back as I was at

school at Christ's. I remember their effigies, by the same token,

in the old _Baskett_ Prayer Book. There hung Peter in his uneasy

posture--holy Bartlemy in the troublesome act of flaying, after the

famous Marsyas by Spagnoletti.--I honoured them all, and could almost

have wept the defalcation of Iscariot--so much did we love to keep

holy memories sacred:--only methought I a little grudged at the

coalition of the _better Jude_ with Simon-clubbing (as it were) their

sanctities together, to make up one poor gaudy-day between them--as an

economy unworthy of the dispensation.

These were bright visitations in a scholar's and a clerk's life--"far

off their coming shone."--I was as good as an almanac in those days.

I could have told you such a saint's-day falls out next week, or the

week after. Peradventure the Epiphany, by some periodical infelicity,

would, once in six years, merge in a Sabbath. Now am I little better

than one of the profane. Let me not be thought to arraign the wisdom

of my civil superiors, who have judged the further observation of

these holy tides to be papistical, superstitious.

Only in a custom of such long standing, methinks, if their Holinesses

the Bishops had, in decency, been first sounded--but I am wading out

Table of contents

Inside this edition

  1. 01Essays of Elia
  2. 02THE SOUTH-SEA HOUSE
  3. 03OXFORD IN THE VACATION
  4. 04CHRIST'S HOSPITAL FIVE AND THIRTY YEARS AGO
  5. 05THE TWO RACES OF MEN
  6. 06NEW YEAR'S EVE
  7. 07THE NEW YEAR
  8. 08MRS. BATTLE'S OPINIONS ON WHIST
  9. 09A CHAPTER ON EARS
  10. 10ALL FOOLS' DAY
  11. 11A QUAKER'S MEETING
  12. 12THE OLD AND THE NEW SCHOOLMASTER
  13. 13VALENTINE'S DAY
  14. 14IMPERFECT SYMPATHIES
  15. 15WITCHES, AND OTHER NIGHT-FEARS
  16. 16MY RELATIONS
  17. 17MACKERY END, IN HERTFORDSHIRE
  18. 18MODERN GALLANTRY
  19. 19THE OLD BENCHERS OF THE INNER TEMPLE
  20. 20GRACE BEFORE MEAT
  21. 21MY FIRST PLAY
  22. 22DREAM-CHILDREN
  23. 23A REVERIE
  24. 24DISTANT CORRESPONDENTS
  25. 25IN A LETTER TO B.F. ESQ. AT SYDNEY, NEW SOUTH WALES
  26. 26THE PRAISE OF CHIMNEY-SWEEPERS
  27. 27A COMPLAINT OF THE DECAY OF BEGGARS IN THE METROPOLIS
  28. 28A DISSERTATION UPON ROAST PIG
  29. 29A BACHELOR'S COMPLAINT OF THE BEHAVIOUR OF MARRIED PEOPLE
  30. 30ON SOME OF THE OLD ACTORS
  31. 31ON THE ARTIFICIAL COMEDY OF THE LAST CENTURY
  32. 32ON THE ACTING OF MUNDEN
  33. 33THE LAST ESSAYS OF ELIA
  34. 34PREFACE
  35. 35BY A FRIEND OF THE LATE ELIA
  36. 36BLAKESMOOR IN H-----SHIRE
  37. 37POOR RELATIONS
  38. 38STAGE ILLUSION
  39. 39TO THE SHADE OF ELLISTON
  40. 40PLAUDITO, ET VALETO
  41. 41ELLISTONIANA
  42. 42DETACHED THOUGHTS ON BOOKS AND READING
  43. 43THE OLD MARGATE HOY
  44. 44THE CONVALESCENT
  45. 45SANITY OF TRUE GENIUS
  46. 46CAPTAIN JACKSON
  47. 47THE SUPERANNUATED MAN
  48. 48VIRGIL.
  49. 49O'KEEFE.
  50. 50THE GENTEEL STYLE IN WRITING
  51. 51BARBARA S----
  52. 52S----.
  53. 53THE TOMBS IN THE ABBEY
  54. 54IN A LETTER TO R---- S----, ESQ.
  55. 55AMICUS REDIVIVUS
  56. 56SOME SONNETS OF SIR PHILIP SYDNEY
  57. 57QUOD SI CUNCTA QUIDEM DEUS EST, PER CUNCTAQUE FUSUS,
  58. 58IN TE UNÂ LOQUITUR, CÆTERA MUTUS HABET.
  59. 59I
  60. 60II
  61. 61III
  62. 62IV
  63. 63V
  64. 64VI
  65. 65VII
  66. 66VIII
  67. 67IX
  68. 68X
  69. 69XI
  70. 70XII
  71. 71NEWSPAPERS THIRTY-FIVE YEARS AGO
  72. 72HER FINAL LEAVE OF MORTALS, HER LAST BLUSH WAS VISIBLE IN HER ASCENT
  73. 73BARRENNESS OF THE IMAGINATIVE FACULTY IN THE PRODUCTIONS OF MODERN ART
  74. 74"BRIGHTON-EARTHQUAKE-SWALLOW-UP-ALIVE!"
  75. 75REJOICINGS UPON THE NEW YEAR'S COMING OF AGE
  76. 76THE WEDDING
  77. 77THE CHILD ANGEL
  78. 78A DREAM
  79. 79A DEATH-BED
  80. 80IN A LETTER TO R.H. ESQ. OF B----
  81. 81OLD CHINA
  82. 82POPULAR FALLACIES
  83. 83I.--THAT A BULLY IS ALWAYS A COWARD
  84. 84II.--THAT ILL-GOTTEN GAIN NEVER PROSPERS
  85. 85III.--THAT A MAN MUST NOT LAUGH AT HIS OWN JEST
  86. 86IV.--THAT SUCH A ONE SHOWS HIS BREEDING.--THAT IT IS EASY TO PERCEIVE
  87. 87HE IS NO GENTLEMAN
  88. 88V.--THAT THE POOR COPY THE VICES OF THE RICH
  89. 89VI.--THAT ENOUGH IS AS GOOD AS A FEAST
  90. 90VII.--OF TWO DISPUTANTS, THE WARMEST IS GENERALLY IN THE WRONG
  91. 91VIII.--THAT VERBAL ALLUSIONS ARE NOT WIT, BECAUSE THEY WILL NOT BEAR A
  92. 92TRANSLATION
  93. 93IX.--THAT THE WORST PUNS ARE THE BEST
  94. 94X.--THAT HANDSOME IS THAT HANDSOME DOES
  95. 95XI.--THAT WE MUST NOT LOOK A GIFT-HORSE IN THE MOUTH
  96. 96XII.--THAT HOME IS HOME THOUGH IT IS NEVER SO HOMELY
  97. 97XIII.--THAT YOU MUST LOVE ME, AND LOVE MY DOG
  98. 98XIV.--THAT WE SHOULD RISE WITH THE LARK
  99. 99XV.--THAT WE SHOULD LIE DOWN WITH THE LAMB
  100. 100XVI.--THAT A SULKY TEMPER IS A MISFORTUNE
  101. 101APPENDIX
  102. 102LAMB'S ESSAYS ON "THE OLD ACTORS" AS ORIGINALLY PRINTED IN THE _LONDON
  103. 103MAGAZINE_. (SEE NOTE ON PAGE 444.)
  104. 104ON SOME OF THE OLD ACTORS
  105. 105ELIA.
  106. 106THE OLD ACTORS
  107. 107ELIA.
  108. 108THE OLD ACTORS
  109. 109MR. SUETT
  110. 110MR. MUNDEN
  111. 111ELIA.

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